The Foundations of Solid Game
By
The Enchanter
At the time of writing this I realise that I have become a Venutian Artist. I am not a PUA, I am not a seducer, and I am the anti-thesis of an AFC. I have an abundance of beautiful women in my life and have total control over which woman I have in my life. This is not a boast but rather a state of being. I feel like the eye of the storm.
My journey to this place has been unbelievably fun. All the promises that Mystery gave from the first day I bought his book have come true. The most amazing thing is that I am not sleeping with hundreds of women, but rather just the ones that I choose and just the ones that I feel a deep level of connection with. This means that fools mate does not exist, negative social proof vanishes as you are not perceived as a ‘player’, and every relationship that I chose to enter is fulfilling, rewarding, and with a person that I truly enjoy spending time with.
I would like to share with you all some of the lessons that I have learned throughout my journey, with me and The Enigmatic One winging for each other. The really amazing thing about these lessons is that they are so simple but highly effective. I would also like to dedicate this post to all of the gurus whose collective knowledge has given me this peace of heart. I am writing this in my attempt to give back a little of what was given to me.
The game is a state of being. It is a frame of mind. You can learn all of the techniques and every gambit and you will have success. You will legitimately be able to call yourself a PUA. However, a PUA is not a Venutian Artist. A PUA gets the girls, a Venutian Artist has them falling in love.
To become successful you first have to ask yourself what it is you want out of the game and what it looks like when you have it. Understand the pros and cons of this goal thus enabling you to decide on the price you are willing to pay to achieve it. Then pay the price. Your goal may be to sleep with a different beautiful woman every night, or it may be just to find one that you want to be with all the time. Each goal has its own consequences, costs and rewards. Make sure that what you think you want is actually what you want at the price you are willing to pay.
For me I was willing to have 250 groups of people hate my guts. In fact the real figure is probably closer to 15 people with a few more disliking me. Ironically it is not the women who hate me but rather AFCs. It was worth it!
The most important aspect of actual gaming is to be congruent with the promise that you make. The promise that you are making is that with you the woman is going to be led into a better reality and her life is going to be better with you. You are the promise and it does not have to be explicitly stated. When you flick the attraction switches through DHVs and show her how fun and interesting your life is you are implicitly giving this promise. How disappointed she will be if the promise turns out to be hollow, especially if she is the girl of your dreams?
Therefore, this trap needs to be avoided and is simple to do. Simply be the promises that you make and don’t make promises you cannot keep. A PUA can fake it until they are congruent and they will get a lot of girls in the process, but then they may lose the best ones when the promise turns out to be hollow. A Venutian Artist is simply congruent with his promise.
The best way to be congruent is to understand who you are and what qualities you have to give. If you need more decide on which qualities you want and then systematically go out and get them. If you want to be fun go out and do fun things. If you want to be the protector learn martial arts. You can be everything and anything you want and the sky is the limit! This may take time but the game is not about simply picking up women, it is about becoming the best person you can become. If you are the bright shiny light in a sea of darkness everyone will want to be part of your existence. The Venutian artist in a sea of AFCs and players is no different. A Venutian Artist is not fake, he is totally congruent.
Importantly, Mystery’s principle that if you say one interesting thing the material is interesting but if you say 10 interesting things then you are interesting applies to all aspects of Venutian artistry. If I flick a few attraction switches my material is good and I am interesting, fun and she will want to know more about me. However, if I continuously flick the attraction switches in a way that is congruent with my actual life then I am irresistible. Importantly, it allows a woman to feel safe and comfortable at being genuinely attracted to me as she knows that I am real. Just as importantly, I am not playing a character as I am that person. I am just being myself and conveying interesting and carefully selected stories etc from my life that happen to hit the attraction switches. Attraction is not a choice.
An important aspect of this is how you communicate. According to Richard Bandler communication is roughly 50% body language, 40% tonality and 10% the words that you speak. This is why effective body language and physical and verbal expressiveness is so important. It is also why the words that you say are not as important as the way in which you say them. Mystery’s game of taking anything you say and making it sound cooler works because he takes the flat words and injects them with passion and fun i.e. with personality. Further, speaking them in a paced, hypnotic voice allows more time for the woman to physically feel that personality and to become sucked into your frame. Just like her attracting switches being flicked by DHVs it is subconscious and is not a choice.
Part of your body language is the intent behind the interaction with the target and her set. Most women feel like guys are constantly trying to take something from them. It is take, take, take. It is very AFC. Instead, be the guy to give, give, give. If you approach a set and DHV with the intent of seeing whether the material works and if they like you then you are sub-communicating that you need something from them, i.e. their validation. Instead, be the guy who opens the set and DHVs simply because you are going to make their day better. You are giving them a gift. You need nothing from them, want nothing from them and are taking nothing from them.
I understand that in the beginning people want to test their material simply because they are new to the game and want to see if it actually works. This is a necessary step to becoming a good PUA and should not be devalued. However, prove it works and then know you can always rely on. This removes the doubts and insecurities. A Venutian Artist does not seek validation as he already possesses it in abundance. This is then naturally and unconsciously conveyed in your communications and you are totally congruent.
I believe that the key to reaching this point comes from a principle from Ross Jeffries. This is the principle of non-attachment, non-disinterest. This principle states that you can give a woman all of your love, kindness, and have her into your life but without attaching to her. Ross states that when you give your attachment to a woman she will use it in one of three ways. She will either use it to get rid of you, manipulate you or destroy you. There is nothing more anti-seductive to a woman than a needy guy. This is why the willingness to walk away is so attractive.
For my part it has an equally significant application. The only power any target has over you is sexual power. When they do not have this they have nothing. This is part of the reason why it is so important to telegraph no sexual interest in A1 or A2. It allows you to remain in control and removes the only real lever of control a women has over you. More importantly, it allows the men and women of any set to feel comfortable talking to you because you are not trying to take anything from them.
A good example is the worst case scenario of a member of the set screaming at you to “f*!k off” during your open, which is usually just an automated response and is no indicator of the rest of the programmes running in her head that make up her personality. If you have no attachment you can brush it off with ease and be totally unaffected by her attempt to have power over you because in reality she has no power over you and you are congruent with that fact. This in itself is a DHV. The rest of the group subconsciously pick up on this and as you send a fun and non-nasty neg to the rest of the group expressing that she has violated a social convention they will buy into your frame and open.
This leads to the fantastic revelation stated by Mystery that the game is played in comfort. The game is comfortable. From A1 to S3 the target and the set should feel comfortable in your presence and feel no reason to be wary of you. Importantly, you feel totally comfortable (once the initial approach anxiety has been ignored). The game, therefore, is not played in comfort. The game is comfort. I will expand on this further later on.
A further important aspect is the frame in which you go out. When I first started gaming I went out ‘sarging.’ However, to me this implies a predatory frame. The problem with this is that women subconsciously pick up on this and they instinctively feel that you are a ‘player’ or are ‘smooth,’ even if they are really enjoying the interaction. This seriously hinders your game as their ASD will kick in and they will feel wary of you. In short, they do not feel sufficient comfort.
My solution was to re-frame my activities. I no longer go out ‘sarging’ but rather ‘gaming’. The difference is that I simply enjoy the interaction from moment to moment and have a willingness to walk away if the set disinterests me. I simply do not care if I ‘sarge’ the target as I would have already flicked her attraction switches enough that if I decide that she qualifies for me I know that she wants to be with me.
‘Sarging’ also implies that you are trying to achieve an end result. This is counter-productive as the target and/or her friends pick up on the fact that you are trying to get something from them. They will, without knowing why, feel unease in your presence. Don’t be an AFC, constantly give value rather than taking it.
I would now like to briefly discuss individual phases of the game to show how they fit together. All of these are in The Mystery Method and so will not be explained further.
Pre A1:
Make sure you have great person hygiene and your clothes are freshly washed and ironed. Take plenty of chewing gum. This is best summed up by the film Pulp Fiction:
“sewer rat may taste like pumpkin pie, but I'd never know 'cause I wouldn't eat the filthy motherfu^Łer.”
Stinking and having bad breath is AFC. There is no excuse for poor hygiene and if a girl is happy to have you with poor hygiene then you have to be questioning hers, or at least her own sense of value and self worth.
Peacocking:
This is an amazing but often misunderstood phenomenon. Peacocking does not mean going out dressed like Elton John’s flamboyant half-brother, although it might depending on the circumstances. The key to peacocking is simply looking non-average so that you stand out relative to the other customers in the location. The mind moves towards the familiar but is attracted to difference, so get yourself noticed by not looking like every other guy in the building ensuring that your avatar is congruent with the qualities you want to convey. Even the smart looking and well groomed AFCs still look average as they simply look no different to the other smart looking and well groomed men in the location. Be smart, be well groomed but stand out! Wear something that will get you noticed.
A1:
This is simply the open. Give a short, really interesting opener. Telegraph no sexual interest.
A2:
DHV. At this stage I prefer to think of DHVs as conditioners which allow her to feel that you are worth investing enough time in to see whether you are congruent with the implied promise that you are making through your DHVs i.e. that you are going to make her life better and bring her into a better reality. Telegraph no sexual interest.
A3:
During A3 you have conversations in which you ask her unusual and interesting questions of the type that no AFC has asked her before. This allows for a number of things:
1. She gives you answers which you can legitimately reward her with IoIs and qualifiers if you feel that they are genuinely deserved;
2. You can DHV in your replies and demonstrate fun gambits which in themselves are DHVs;
3. You can neg her playfully if the answer is lame (but not too much, negs should be delicately used and only when necessary otherwise you will drop her value relative to you too far and she will believe you are too good for her);
4. She begins to feel that you like her for her and not because of what she looks like (this is very important to women as woman look for survival value. If you are only interested in her looks she believes you are less likely to stick around after sex or once you have got to know her);
5. You get to know each other. This continues throughout A3 to C3;
6. You can screen her to make sure she is the type of person that you would want to be close to;
7. it allows her to see that you are congruent with your earlier implied promise.
It is important that you telegraph no sexual interest in the target until A3. To do so earlier would be to allow her to qualify for you based solely on her looks. In fact, you are communicating to her that she has qualified for you based solely on her looks. Dangerously, it also gives her power over you at the time that you are most vulnerable (A1 to A2). Further, even if you do start getting to know her she will not be sure whether it is her personality or her looks that you are primarily interested in given your earlier behaviour so Fools Mate is on the horizon.
Remember, A3 to C3 are just deeper levels of comfort. Make sure you telegraph sexual interest throughout otherwise you will drop into the LJBF zone.
If you do A3 properly you will move into real comfort (C1 to C3). This is where real non-flaky numbers happen because you are no longer a stranger she met in a location but rather a super cool guy that she likes, is attracted to and most importantly she feels that you like her for her. She is comfortable with you and the idea that you are going to be her partner. It’s serendipity.
Importantly, if you do A3 to C3 properly you will have hit enough attraction switches and she will feel that you like each other for each other so S1 to S3 will happen naturally. S1 to S3 should be taken at a pace in which the woman is comfortable. If she feels uncomfortable with the speed then just slow it down, hold it at the same level and then escalate a bit later. Continue in this manner all the way to S3. LMR will not arise as long as you have built enough comfort throughout. If you get LMR, use the PUA strategies then later go back and examine your game.
The most wonderful thing about being a Venutian artist is that A3 to S3 is totally congruent because it is genuine. Venutian Artists can have any women they like in their world, so why be with one that you are not really into or is only so-so just because you can?
Venutian Artistry gives you the freedom to be with the type of women that you truly want to be with and have in your life. The game is a part of your life but it is not your existence. You are still going out and doing all of the great things that make you congruent and it is a constant learning process. It is non-predatory and truly enchants the woman’s
soul!
- 
The Foundations of Solid Game 
Linear Mode
